touch the music - visit and performance by véro leduc - french / lsq / asl / protactile

Festival Phénomena 2025, Soirée de performances sourdes. Lundi 6 octobre 2025, Salle bleue – Édifice Wilder – Espace danse. Véro Leduc, Cai Glover, Hodan Youssouf, Dominique Ireland.

“I will move toward you with the eyes of a Deaf person,” sings Richard Desjardins. And what if it were with the eyes of a blind person? How can one approach music in sign languages when one is blind? More generally, how can blind people appreciate Deaf art? And even more broadly, how can we learn from one another in order to develop new relationships to art? Signed languages are visual and non-auditory, while many blind people experience the world primarily through hearing and therefore cannot fully access sign languages through listening alone. For several years, Véro Leduc has been exploring Deaf and crip creation, seeking to expand the ways art can be created and experienced across different abilities. Along the way, she invites each of us to explore new relationships to art not by pretending to be blind or Deaf, but by tasting new ways of being in the world. The performance Touche la musique / Touch the Music is an invitation to discover signed art through touch.


Accessibility Information: 

  • Véro will present in LSQ (Quebec Sign Language). Interpretation will be provided in LSQ–French, LSQ–ASL, and Protactile.
  • The venue is accessible to wheelchair users.
  • Please feel free to contact us if you have any accessibility requests [email protected] or 514-701-4068
  • The activity lasts approximately 1 hour and 30 minutes: 15 minutes for welcoming remarks, 20 minutes for the performance, 30 minutes for the guided visit and 30 minutes for an open discussion.

Véro Leduc will perform a music piece using signed language. She will move her body in different ways, create sounds and communicate poetic words in Quebec Sign Language (LSQ). The audience will be invited to participate in a cre-expansive way, that is, to expand the work through co-creation. There are several ways to take part:

  • As movers: These participants will be invited to draw inspiration from Véro’s performance to move. Some may choose to reinterpret LSQ signs in their own way. Movers can decide whether they prefer to move solo (solo-movers) or to be touched (tactile-movers).
  • As touchers: These participants will be invited to touch the tactile-movers in order to experience Véro’s performance through them.
  • As precious ones: These participants are invited simply to be present.

All ways of moving, touching, and simply being present are welcome.

Following the performance, there will be a guided tour of the artwork Signer son fado.

→ Free entry – no reservation required.

blind field shuttle with carmen papalia

Blind Field Shuttle (2010–present) is a collaborative walking performance in which Carmen Papalia guides large groups of participants on a non-visual walk through urban or rural environments. Standing in a single-file line behind the artist, participants hold onto the arm of the person in front of them and agree to keep their eyes closed for the duration of the roughly hour-long walk. An extension of Papalia’s personal walking practice, the performance invites participants to exercise their non-visual senses while collectively negotiating movement, obstacles, and the cultural context in which vision is dominant. As participants move together, the work reveals both the barriers created by visual primacy and the interdependent support networks that underpin disability culture. Blind Field Shuttle challenges assumptions about disability and accessibility by treating disability as a revelatory, valuable experience and accessibility as a “temporary, collectively-held space.”

Participants meet at the MAI Café – Walking circuit to be determined.

register


Participant accessibility:

You must wear comfortable shoes suitable for walking over varied terrain and be able to walk in a single-file line while holding onto the arm of the person in front of you. A secure area is available at the MAI where you can store bags and personal items during the performance. 

If you are a Deaf or D/deaf participant, ASL interpretation can be provided (please fill up the registration form and specify your needs). 

Participants who use mobility devices or who cannot participate in the single-file walking arrangement will be offered an alternative one-on-one or small-group, non-visual experience of the work.

ii. ftg

II. FTG is a series of music video-style tableaux presented as dance duets, in which various styles draw inspiration from the poetic power of French-language rap and the dazzling energy of Afrobeat. Several performers feature among the visual references that feed into the creation of the two performers’ multiple alter egos. In this choreographic, visual, and auditory space, assigned gender roles and images are subverted and blurred by the performers so that their own shared language emerges from their sensitivity and individuality, allowing them to express their feelings and connect with one another.


Talkback with the artist following the January 23rd performance
Hosted by Jaleesa Coligny


II. FTG est une production

anxiety

© Aurora Torok

Anxiety delves into the history, personal stories, and current realities of Indigenous and racialized communities. Led by Simik Komaksiutiksak, artists Cheyenne LeGrande, Courtney Taticek, Chrystal Tam, and Katie Couchie use dance to draw attention to the transformative power of collaboration— its capacity for healing through trust and creativity. In doing so, this performance becomes a safe space for reflection and dialogue, ultimately employing improvisational movement as a vehicle to explore intergenerational trauma. Because the body holds onto memory, anxiety can manifest as unique mannerisms. To address it is to forge new paths, offering an opportunity to question, reflect, and engage with important sociological issues.

Talkback following the January 31st performance moderated by Camille Larivée

box office


Content warning
Colonial violence + High volume


PUBLIC+

Audiodescription for visually impaired and semi-vision-impaired spectators
Friday, January 31st — 7:30 p.m.

Audiodescription involves orally and live describing of the visual and sensory elements of a choreographic work, so that it can be transmitted, shared and experienced.

Pre-show get-togethers in ASL and LSQ
Friday, January 31st — 6:30 p.m. to 7:30 p.m.
Pre-show get-togethers are offered in ASL and LSQ with MAI’s Deaf cultural mediators, Dominique Ireland and Caroline Hould. The meeting provides an opportunity to discuss the show’s themes, the artists’ backgrounds and the performance’s soundtrack.

Anxiety After Party
Saturday, February 1st — Following the 7:30 p.m. performance
Anxiety’s team warmly invites spectators, friends, family and other members of their communities to join in this evening of celebration with DJ Pøptrt!

Mumiq:Indigenous Artisans’ Market
Friday, January 31st + Saturday, February 1st — 12 p.m. to 7 p.m.
MAI gallery
Come and meet Indigenous artisans before attending Anxiety’s performances on Friday and Saturday!
*Free admission, artwork for sale on site.

seen and heard

Louise Liliefeldt‘s solo performance Seen and Heard is a raw and immersive exploration of struggle. Taking inspiration from the pain and strength inherent in the human condition, Liliefeldt’s work delves into the complexities of race, labour, and migration.

Using repetition and rhythm, Liliefeldt creates tension and a sense of urgency. Through full-body movement, and at times vocal sounds, Liliefeldt draws with different parts of her being. She paints the walls with the rhythmic pulse of a heartbeat, inviting the audience to experience the emotional and psychological states she embodies. Her work is often dark in nature but she always attempts to create a positive and powerful outcome.

box office


Content Warning
– Loud vocalizations resembling pain will be part of the performance.
– Physical actions, such as using a homemade whip, may appear distressing but are not self-harm.

drip or drown

© Tommy Nuguid — avec/with : Jai Nitai Lotus

For this re-imagined Hip-Hop concert, Jai Nitai Lotus presents an unconventional blend of performance art, spoken word, dance, visual projections, and music, with contributions by his mentees. Drip or Drown delves into the internal and external struggles of maintaining individuality. The scene is set: a portable studio and multiple stages evoke the artist’s quest for self-knowledge throughout his career. Lyrics as socially conscious as they are self-reflective make room for wonder.

Are we the people we associate with? How does fear give way to authenticity? Is it possible to hold space for an ever-evolving identity in the search for self-actualization? Though personal, the show leaves these questions open-ended, encouraging the audience to form their own conclusions. Perhaps too, this serves as a reminder of the many shapes identity can take.


Content Warning
High Volume + Foul Language


Talkback after the May 30th performance hosted by Rita Yemeli and the 31st by Alexandra ‘Spicey’ Landé.

face rider

Building on the iconography of the hermit, the hog, and the himbo, FACE RIDER is a queer indie sleaze swamp dump. Think of this dance as a slippery bog celebrating gender deviance, glittery resurrection, and live-laugh-loving the mess of togetherness. This performance reimagines the unsettling nature of aspirational imagery through the gloomy melodies of midwest emo, confessional lyrics, and the aesthetics of the unresolvable mundane.

Made in collaboration with multi-media artist Driftnote and fashion designer Angela Cabrera, this show is a diver on the edge of a high board imagining its body missing a rotation and smacking through the waters of transformation – sincerity – energy – precision – mess – presence.


Content Warning
Potential environmental conditions during the show, including heavy haze, artificial smoke, fragrances, broken glass, and loud noises for special effects.


As part of the show, an installation will be on view for the public from 3pm to 6pm on June 19, 20, and 21 in the MAI gallery.


 

a hole is a hole is a hole is

© Lorenz Vetter — avec/with : Ton Bogataj

Guests gather around a decadent,  lavishly decorated table.  Behind the small talk, the most existential of questions wait to be asked: “Am I  a Twink or a Daddy? What will I leave behind if I don’t have children? And what does it mean to be queer in a world where we understand global destruction as a sobering reality instead of adventure-fuelled escapism, a Hollywood blockbuster, best enjoyed with popcorn?”

A HOLE IS A HOLE IS A HOLE IS is a tragicomic exploration of self-perception and societal norms. Sappho Ton Bogataj, Christopher Ramm, and Marco Merenda invite you to their immersive family get-together.  Decades after coming out, they reassess their journeys through the lens of Audre Lorde’s “biomythography,” narrativizing their biographies into epic myth. Choreographies, confessions, and vows blend together on the symbolic table.

The existential crisis doesn’t end when the lights fade out. Stick around in the gallery for a post-show hangout with the performers, grab a drink from the bar, and continue the conversation about chosen families, queer timelines, and other beautifully unanswerable questions.

box office


Content Warning
Strobe effects + High volume + Mentions of sexual assault

à suivre: a showcase of the alliance program

À suivre is a unique opportunity to discover what goes on behind the scenes at MAI (Montréal, arts interculturels), in the context of the Alliance program. Conceived in two distinct parts, this showcase illuminates the creative genius of artists working in visual and performing arts.

The first part of the event will take place in the MAI café-bar on November 15th, where artists Reihan Ebrahimi (21.22 cohort), Zahra BuAli (22.23 cohort), Marc-Alain Félix (22.23 cohort), Jongwook Park (22.23 cohort) and Hea R. Kim (21.22 cohort) will exhibit their work. An ASL and LSQ interpreter will be on-site to facilitate networking. Migration, the notion of rootedness and the quest for identity will weave the narrative thread of this exhibition. 

The second part of the showcase will take place in the MAI theatre on November 17, with an evening dedicated to the performing arts. In the intimacy of the theatre, the public will be treated to performances by talents such as Willywonka (21.22 studio residency), Natsumi Sophia Bellali (22.23 cohort), Kozmic Joy (Joy Rider & Kozmic, 22.23 cohort), Myth (studio residency x Studio303, 22.23 cohort), & roots2reach (21.22 cohort). LSQ and ASL interpreters will be on site before the performances. Artist introductions and performances with dialogue will be interpreted in LSQ and ASL.

About Alliance

Hosting 10-15 artists, collectives and companies per year, Alliance is a unique support program conceived for artists from all fields who encounter systemic and structural obstacles. The program strives to eliminate barriers to their full participation in the arts by offering customized financial allocations and guidance that are adapted to the learning and creative needs and desires of each participant. Consult the alliance page for more information about the program.


À suivre : Visual Arts

Free entry

Opening: November 15th, 5pm

Exhibition: November 16th, 12pm to 6pm + November 17th, 12pm to 9:30pm

Accessibility: ASL + LSQ interpreters on-site during the vernissage

Artists: Reihan Ebrahimi, Zahra BuAli, Marc-Alain Félix, Jongwook Park et Hea R. Kim

→ More information on the works presented


À suivre: Performing Arts

November 17th, 7:30pm

Accessibility: LSQ + ASL interpreters on site before and during the performances

5$

Artists: Willywonka, Natsumi Sophia Bellali, Kozmic Joy (Joy Rider & Kozmic), Myth & roots2reach

performances and credits

✦ IN NA

— Willywonka

Credits:

Lighting Design: Laure Anderson, Sound Design: Maucina Sone, Costume Design: Joanna Gourdin, Outside Eye: Jean-Pierre Mecdy, Showcase Lighting Designer: Lee Anholt

✦ Salam Tata

— Natsumi Sophia Bellali

Credits:

Choreography: Natsumi Sophia Bellali in collaboration with Saxon Fraser, Original text: Natsumi Sophia Bellali with consultation of Solomon Krause-Imlach, Mentor: Saxon Fraser, Sound Design: Solomon Krause-Imlach, Lighting Design: Marguerite Hudon, Dramaturgy Consultants: Sarah Elkashef, Aki Matsushita, Outside Eye: Alida Esmail, Artistic Consultant: Yvon Soglo (Crazy Smooth), Signer for the opening: Ashley Hefnawy, Costume: Mayumi Ide-Bergeron, Showcase Lighting Designer: Lee Anholt

✦ Mad About The Girl

— Kozmic Joy (Joy Rider & Kozmic)

Credits:

Video: Becca Redden, Costume Design: Joy Rider, Performers: Marbella Carlos aka Joy Rider, Chloé Seyrès aka Kozmic, Showcase Lighting Designer: Lee Anholt

✦ Ode

— Myth

Credits:

Performer: Myth, Residency partner: Studio 303,  Mentor: Shérane Figaro, Showcase Lighting Designer: Lee Anholt

✦ roots2reach

— Alida Esmail, Hodan Youssouf, Sophia Wright

Credits:

Co-creators: Alida Esmail, Sophia Wright, & Hodan Youssouf, Performer: Alida Esmail, Sound and Vibration Designer: Samuel Thulin, Costume: Nalo Soyini Bruce, Dramaturg: Fatma Sarah Elkashelf, Consultant in Deaf Culture: Daz Saunders, Showcase Lighting Designer: Lee Anholt

deciphers

© Maya Yoncali

Deciphers is a physical performance by Naishi Wang and Jean Abreu that brings together elements of Chinese folk dance, Brazilian dance styles, spoken word, breath, and ink on paper. Both artists share a concern for the corporeal connections between immigration and translation as a linguistic phenomenon centering the immigrant experience. As co-performers and choreographers, Wang and Abreu make the stage their blank canvas, using raw, improvisational movements to highlight the body as the base of communication and meaning.

The February 16th performance will be followed by a talkback with the artists hosted by Guy Cools.

credits

Deciphers was created by Naishi Wang and Jean Abreu
Choreography and performed by: Naishi Wang + Jean Abreu
Lighting Design: Lucie Bazzo
Visual Design: Ivy Wang
Composer: Olesia Onykiienko
Dramaturgic advice: Guy Cools
Outside eye: Ginelle Chagnon
Rehearsal Director: Xing Bang Fu
Voice Coach: Fides Krucker
Access Consultant: Zed Lightheart
Technical Director: Emerson Kafarowski
Stage Manager/Technical Assistant in collaboration: A.J. Morra
Technical Manager: Cath Cullinane
PR and Marketing: Diagonal Dance
Management: Michael Peter Johnson, Jean Abreu Dance + Robert Sauvey, Dance Umbrella of
Ontario

partners

Partners in Canada: MAI (Montréal, arts interculturels) + National Arts Centre + Harbourfront Centre + Citadel +Company + PuSh Festival + The CanDance Network + Canadian High Commission UK
Partners in UK: Fabric + Towner Gallery + Brighton Dome + Eastbourne Council + Take The Space + Arts Council England

Deciphers is supported by the National Arts Centre (NAC) visiting dance artist programme + The Candance Network small-scale creation fund + Canada Council for the Arts + Performing Arts Technical Residency programme at Harbourfront Center Toronto + PuSh walk special podcast