{"id":7736,"date":"2020-10-05T17:30:48","date_gmt":"2020-10-05T21:30:48","guid":{"rendered":"https:\/\/m-a-i.qc.ca\/?page_id=7736"},"modified":"2022-07-26T15:20:12","modified_gmt":"2022-07-26T19:20:12","slug":"preambule","status":"publish","type":"page","link":"https:\/\/m-a-i.qc.ca\/en\/public-plus\/preambule\/","title":{"rendered":"pr\u00e9ambule"},"content":{"rendered":"[vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade”][vc_column][vc_column_text css_animation=”fadeInUp”]\n

Preamble features original video interviews highlighting the practice of artists in MAI’s programming.<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”11683″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

8. Imago Theatre<\/h1>\n

Foxfinder<\/h2>\n

Foxfinder, by U.K. playwright Dawn King, is a haunting eco-parable exploring climate change and its impact on the psychology of fear and the human need for certainty.<\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY3MjM0ODcwNDUlMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”11674″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

9. Thierry Huard<\/span><\/h1>\n

\u00a0les liens<\/span><\/h2>\n

Having explored power dynamics in his latest creation, versatile artist Thierry Huard<\/strong> now turns his queer and kaleidoscopic gaze on interpersonal relationships, converting the MAI gallery into a dark and cavernous cocoon.<\/span><\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY3MjAzODQ3NjclMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”11683″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

8. Sujit Vaidya<\/h1>\n

OFF CENTRE<\/h2>\n

Exploring the embodiment of gender and sexuality both in and out of dance, the work becomes a luscious celebration of all things sensual and erotic, a full throttled defiance of heteronormative clich\u00e9s, and a loving embrace of self.<\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY3MTUzMjk1NDElMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”11674″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

7. \u0100NANDA\u1e40<\/strong><\/span><\/h1>\n

Ephemeral Artifacts: Travis Knights<\/strong><\/span><\/h2>\n

Ephemeral Artifact<\/em>s<\/strong> examine le corps dansant en tant que contenant de connaissances incarn\u00e9es et lieu de transmission dans le temps. Cette \u00e9dition, qui met en vedette l\u2019artiste de claquettes\u00a0Travis Knights<\/strong>, explore les liens ind\u00e9l\u00e9biles entre le jazz et les claquettes \u00e0 travers les corps noirs divins.<\/span><\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY3MDgyNDYxMTclMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”11683″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

6. Ch\u00e2u Kim-Sanh (Equivoc\u2019)<\/h1>\n

BLEU N\u00c9ON<\/h2>\n

In a distant, fictional Vietnam, the echoes of pop music on cassette tape reverberate against the sounds of modern Vietnamese rap.\u00a0Ch\u00e2u\u00a0Kim-Sanh\u00a0inhabits this space, metamorphosing through bodily states generated by the presence of coloured neon lights.<\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY3MDM4MDc2OTglMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”11674″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

5. Maria Kefirova<\/span><\/h1>\n

backs boxes towel<\/strong>s<\/strong><\/em><\/span><\/h2>\n

backs boxes towels began as a search for sensation. Kefirova\u2019s performance departs from this desire to build space through physicality and to make sound visible.<\/span><\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY2NzI1MDE1MjUlMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”11683″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

4. Manolis Antoniou (Boulouki Theatre)<\/strong><\/span><\/h1>\n

The Futur Is Another Country<\/span><\/h2>\n

Collectively conceived, the work is a kaleidoscopic dinner party of sorts, where scripted and improvised conversations about the origins and preparation of food lead to dialogues about citizenship, identity, immigration, borders, xenophobia, utopia.<\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY2NzEzMDY5OTclMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”11674″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

3.\u00a0 \u00a0Edon Descollines et Catherine Bouregois<\/span><\/h1>\n

Le magasin ferme<\/span><\/h2>\n

Joe Jack & John and Edon Descollines\u00a0presents Le magasin ferme, a short piece merging performance art, installation, spoken word, dance, video and visual imagery.<\/span><\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY2NjIzNzEzOTYlMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”11683″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

2. \u00c9lian Mata (Productions EM)<\/span><\/h1>\n

Trajectoires<\/span><\/h2>\n

Trajectoires is a performance installation involving eight collaborators. Moving through this rich, moving tableau that deals with the nuance and complexity of being human, the audience encounters these living works of art embodied by the performers.<\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY2NTM4MzY4NDQlMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”11674″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

1. farah atoui<\/strong> and viviane saglier<\/strong><\/span><\/h1>\n

making revolution : collective histories, desired futures<\/span><\/h2>\n

Making Revolution explores the forms of struggle and revolution in the Middle East and North Africa through video art and installation.<\/span><\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY2NTEyMjI3OTQlMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade”][vc_column][vc_column_text css_animation=”fadeInUp”]\n

20.21<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”9127″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

12. Daphne Boyer<\/h1>\n

otipemisiwak<\/h2>\n

Otipemisiwak* <\/i>celebrates the lives and material cultures of three women: the artist\u2019s great grandmother, El\u00e9anore; her grandmother, Cl\u00e9mence; and her mother, Anita. Showcasing recent process-based works on paper, textile and 360\u00ba animation, works feature a digital-beading technique the artist invented called \u2018Berries to Beads\u2019.<\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY1NDg1NzY4ODYlMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”8239″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

11. Hoda Adra<\/span><\/h1>\n

Les formes qui nous traversent<\/span><\/h2>\n

Les formes qui nous traversent unearths thirty hand-written log books recording a long period of isolation. Imagined and created by the spoken-word poet Hoda Adra, this film-concert sees her take the stage after leaving the land of Brumania, a fictitious country where pink blobs choke the voices of its people . <\/span><\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY1NDgxMzcxNzUlMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”9127″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

10. Gabriel dharmoo \/ Bijuriya<\/h1>\n

Bijuriya\u2019s drag cabaret<\/h2>\n

This Drag Cabaret presents numbers that range in style from\u00a0calypso, Bollywood (vintage, glamorous and\/or psychedelic), to baroque opera and\u2026 the odd vocalizations of imaginary creatures<\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY1NDQ4NTc5NTMlMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”8239″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

9.\u00a0johanna nutter & nadia myre<\/span><\/span><\/h1>\n

strike\/thru + a casual reconstruction<\/span><\/h2>\n

\ud835\udc00 \ud835\udc02\ud835\udc1a\ud835\udc2c\ud835\udc2e\ud835\udc1a\ud835\udc25 \ud835\udc11\ud835\udc1e\ud835\udc1c\ud835\udc28\ud835\udc27\ud835\udc2c\ud835\udc2d\ud835\udc2b\ud835\udc2e\ud835\udc1c\ud835\udc2d\ud835\udc22\ud835\udc28\ud835\udc27 + \ud835\udc12\ud835\udc13\ud835\udc11\ud835\udc08\ud835\udc0a\ud835\udc04 \/ \ud835\udc13\ud835\udc07\ud835\udc11\ud835\udc14 is a double-bill interdisciplinary encounter between two old friends from Tiohti\u00e0:ke\/Mooniyang\/Montreal.\u00a0<\/span><\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY1NDUyMDYwNDclMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”9127″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

8.\u00a0ralp escamillan<\/h1>\n

fakeknot (ralph escamillan) \/ whip<\/h2>\n

\u201cwhip\u201d is a 60-minute duet set in the round, performed with leather hoods that disguise performers faces and also inhibiting their sight for the entirety of the work.<\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY1NDE4OTk1OTUlMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”8239″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

7. sonia bustos & ariana pirela s\u00e1nchez<\/span><\/h1>\n

support cam + may<\/span><\/h2>\n

In this episode, we explore the journey and projects of dancers Sonia Bustos and Ariana Pirela Sanchez.<\/span><\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY1MzY5OTc1MjAlMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”9127″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

6. Cyndi Charlemagne<\/h1>\n

Soul Whisper, put forth by the Haitian-Quebecoise singer, author, and composer Cyndi Charlemagne, is a soul-jazz musical performance where poetry and song share notes.<\/h2>\n

For Charlemagne, this soul whisper evokes our innermost thoughts, the intuition that allows us to stay connected to ourselves through both joyful and trying times. The spoken poems help set the stage for songs that dig deep into the expressive richness of jazz and soul.<\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY1MjU3NjY1NzAlMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”8239″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

5. Heather Mah<\/span><\/h1>\n

Pomegranate<\/b><\/a>\u00a0is a solo by veteran Montreal dancer\u00a0Heather Mah<\/b>. The performance is an interpretation of her grandmother\u2019s life, a fragmented journey told through stories of family and migration that begin in China in 1895.\u00a0<\/span><\/h2>\n

This piece delicately sketches the imagined journey of this woman, who sought to escape her war-torn country but ultimately died there at the age of 60, despite all the efforts made to rescue her.<\/span><\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY0Nzg2MTg1NzAlMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”9127″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

4. Soleil Launi\u00e8re<\/h1>\n

Created by Innu interdisciplinary artist\u00a0Soleil Launi\u00e8re<\/b>,\u00a0Sheuetam\u1d58<\/b><\/a> is a performative and auditive installation that unfolds continuously over 5 days. The piece convenes the presence of a two-spirit being, caught in conversation with its surrounding territory and technology.<\/h2>\n

Interweaving the past, the present and the future, this powerful ritual-performance amplifies Indigenous presence and disrupts the narrative of capitalist and colonialist modernity.<\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY0NzIzNjYzMTUlMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”8239″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

3. Diana Le\u00f3n<\/span><\/h1>\n

Sur ce chemin, tu es s\u00fbre de te perdre<\/a> is a multidisciplinary solo, somewhere between dance, theatre and music, is the fruit of three collaborations between Diana Le\u00f3n and emerging creators Parco Ziel, Jeremy Galdeano and Vera Kvarcakova.\u00a0Their guiding theme is knowledge of the self and the work necessary \u2013 amidst social pressures, inner demons and aspirations \u2013 to find one\u2019s own voice.\u00a0<\/span><\/h2>\n

With compositions by\u00a0Alejandro Loredo<\/b>,\u00a0Tom Jarvis<\/b>\u00a0and\u00a0Diana Le\u00f3n<\/strong>,\u00a0Sur ce chemin, tu es s\u00fbre de te perdre<\/strong>\u00a0is a powerful evocation of the pleasure in finding one\u2019s own rhythm, in response to those who surround and inspire us.<\/span><\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY0NjkxNjUwMzklMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”9127″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

2. Live in Palestine<\/h1>\n

Organised by AXEN\u00c9O7 (Gatineau) in collaboration with DAIMON (Gatineau) and A Space Gallery (Toronto), <\/b>Live In Palestine<\/i><\/b><\/a> brings together performance work that asks the viewer to consider how bodies, actions and images produce meaning in particular geopolitical spaces.<\/b><\/h2>\n

Showcasing prominent and emerging contemporary artists currently living and working in Palestine,\u00a0Live in Palestine<\/b>\u00a0focuses on work that combines performative practices with political engagement, addressing some of the complexities of living in occupied Palestine.<\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY0NjgwMjcwNjYlMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” full_height=”yes” equal_height=”yes” content_placement=”middle” parallax=”content-moving-fade” parallax_image=”8239″][vc_column][vc_column_text css_animation=”fadeInUp”]\n

1. Kama La Mackerel<\/b><\/span><\/h1>\n

Interdisciplinary artist and writer Kama La Mackerel interweaves poetry, storytelling, dance, femme tongues and broken colonial languages in a solo performance that is at once personal and political. <\/span><\/b>ZOM-FAM<\/i><\/b><\/a> (meaning \u201c<\/span>man-woman\u201d or \u201ctransgender\u201d in Mauritian Kreol<\/b>) <\/span>narrates the story of a gender-creative child growing up in the 80s and 90s on the plantation island of Mauritius.<\/b><\/span><\/h2>\n

ZOM-FAM<\/i><\/b> interweaves narratives that bring together ancestral voices, femme tongues, broken colonial languages and a tender queer subjectivity, all of which are grappling with the legacy of plantation servitude.<\/span><\/span><\/p>\n[\/vc_column_text][vc_raw_html]JTNDY2VudGVyJTNFJTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZwbGF5ZXIudmltZW8uY29tJTJGdmlkZW8lMkY0NjMwNTI2NjYlMjIlMjB3aWR0aCUzRCUyMjgwMCUyMiUyMGhlaWdodCUzRCUyMjQ1MCUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYXV0b3BsYXklM0IlMjBmdWxsc2NyZWVuJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNFJTNDJTJGY2VudGVyJTNF[\/vc_raw_html][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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