{"id":12883,"date":"2022-07-20T21:18:15","date_gmt":"2022-07-21T01:18:15","guid":{"rendered":"https:\/\/m-a-i.qc.ca\/?page_id=12883"},"modified":"2022-09-09T14:18:08","modified_gmt":"2022-09-09T18:18:08","slug":"radio","status":"publish","type":"page","link":"https:\/\/m-a-i.qc.ca\/en\/radio\/","title":{"rendered":"hanako hoshimi-caines, elisa harkins & zo\u00eb poluch"},"content":{"rendered":"[vc_row css_animation=”fadeIn”][vc_column][vc_column_text]\n

September 12 to 14, 2022<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”fadeIn”][vc_column][vc_column_text]\n

Radio III \/ \u13a6\u13ec\u13c2\u13cd\u13a9 \u13e6\u13a2<\/span><\/h1>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”fadeIn”][vc_column][vc_single_image image=”12898″ img_size=”full” add_caption=”yes” alignment=”center” style=”vc_box_rounded” css_animation=”fadeInUp”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css_animation=”fadeIn” css=”.vc_custom_1657826602548{background-color: #ffffff !important;}”][vc_column width=”1\/4″][vc_column_text]\n

Tiotia:ke \/ Mooniyang \/ Montreal, Stockholm, Tulsa<\/span><\/h2>\n

Interdisiplinary<\/span><\/h2>\n

Presented in Cherokee, Muscogee & English<\/span><\/h2>\n[\/vc_column_text][vc_column_text]\n

September 12, 2022: 7:30 pm<\/p>\n

September\u00a013, 2022: 7:30 pm<\/p>\n

September 14, 2022: 7:30 pm<\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]\n

Radio III \/ \u13a6\u13ec\u13c2\u13cd\u13a9 \u13e6\u13a2<\/strong><\/em><\/span> is the first collaboration between\u00a0Hanako Hoshimi-Caines<\/strong><\/span>, Zo\u00eb Poluch<\/strong><\/span> et Elisa Harkins<\/strong><\/span>. It is an Indigenous futuristic concert, a beautiful and uncomfortable dance performance, and a perverse triangle of shifting power that seeks to be unfaithful to both minimalism and postmodern dance\u2019s claims to so-called \u201cneutrality.\u201d<\/p>\n

This choreography in the expanded field haunts the recognizable toolbox of abstraction, form, repetition, and pattern by striving to make visible that which has been kept invisible and illegible in colonial systems of aesthetics.<\/p>\n

Within\u00a0Radio III \/ \u13a6\u13ec\u13c2\u13cd\u13a9 \u13e6\u13a2<\/strong><\/em><\/span>, there are many references to the number 3: there are 3 performers, the piece has 3 sections, and there are 3 duets, one being a triplet. Created and developed on the Muscogee Reservation, in Stockholm, Sweden, and in Montr\u00e9al, Qu\u00e9bec, the piece brings together components and concerns that inform an interdisciplinary and counter-colonial approach to performance.[\/vc_column_text][vc_column_text]\n

Talkback with the artists after the September 13th performance \u2014 Hosted by Moe Clark.<\/strong><\/p>\n

box office<\/b><\/a><\/p>\n

\n
\n

Credits<\/strong><\/p>\n

With and by : Hanako Hoshimi-Caines, Zo\u00eb Poluch and Elisa Harkins | Music by: Elisa Harkins | Produced by: Hanako Hoshimi-Caines and Zo\u00eb Poluch | Lighting Design : Paul Chambers | Costumes : Jade Tong Cuong | International Representation and Production: Norberg Management | Production coordinator: Tiera Joly Pavelich | Technical Direction: \u00d6yk\u00fc \u00d6nder | Sound: Joel Lavoie | Rehearsal Direction: Justin De Luna | Conversation partners: Ivanie Aubin-Malo, Maria Kefirova, k.g. Guttman, James Goddard, Katie Ward | Coproduction partners : MAI, MDT, Dance Victoria.<\/p>\n

Made possible with the support of :<\/p>\n

Conseil des Arts du Canada, Kulturr\u00e5det\/Swedish Arts Council,<\/p>\n

Swedish Arts Grants Committee, Tulsa Artist Fellowship, The Stable and the Agora de la Danse.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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