{"id":10150,"date":"2021-08-19T10:38:42","date_gmt":"2021-08-19T14:38:42","guid":{"rendered":"https:\/\/m-a-i.qc.ca\/?page_id=10150"},"modified":"2022-04-21T17:48:26","modified_gmt":"2022-04-21T21:48:26","slug":"kim-sanh-chau-equivoc","status":"publish","type":"page","link":"https:\/\/m-a-i.qc.ca\/en\/kim-sanh-chau-equivoc\/","title":{"rendered":"ch\u00e2u kim-sanh (equivoc')"},"content":{"rendered":"[vc_row css_animation=”fadeIn”][vc_column][vc_column_text]\n

April 28 to 30, 2022<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”fadeIn”][vc_column][vc_column_text]\n

BLEU N\u00c9ON<\/span><\/h1>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”fadeIn”][vc_column][vc_single_image image=”12058″ img_size=”full” add_caption=”yes” alignment=”center” style=”vc_box_rounded” css_animation=”fadeInUp”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css_animation=”fadeIn” css=”.vc_custom_1629240370838{background-color: #bcd2cd !important;}”][vc_column width=”1\/4″][vc_column_text]\n

MONTREAL<\/h2>\n

PERFORMANCE<\/h2>\n

PRESENTED IN VIETNAMESE<\/h2>\n[\/vc_column_text][vc_column_text]\n

April 28, 2022: 7:30 p.m.<\/p>\n

April 29, 2022: 7:30 p.m.<\/p>\n

April 30, 2022:\u00a0 2:00 p.m.<\/p>\n

April 30, 2022:\u00a0 7:30 p.m.<\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]In a distant, fictional Vietnam, the echoes of pop music on cassette tape reverberate against the sounds of modern Vietnamese rap. Ch\u00e2u <\/strong><\/span>Kim-Sanh<\/strong><\/span>\u00a0inhabits this space, metamorphosing through bodily states generated by the presence of coloured neon lights. Of this evening blue erupts a purpleness: \u201cb\u1ea7u tr\u1eddi m\u00e0u t\u00edm x\u1ea9m\u201d<\/span><\/strong> \u2013 an uncertain translation. Eyes closed, the neon haze returns her to the sensation of her ancestral land. Saigon, like many cities in South Asia, is flushed with these vivid lights. Here, embodied memory and the imaginary take a ride on a Honda Dream II motorcycle, across a humid sky whose wetness whips the face.
\nThis solo is performed in its entirety from the squat position – a typically Asian posture. Audio recordings bespeckle the choreography, navigating between fantasized nostalgia, loss of language and sexual objectification \u2013 all three widely experienced by Asian diasporic populations. In Southeast Asia, rap culture is increasingly popular \u2013 giving a voice to a population marked by silence. Rap here is a prayer.<\/p>\n

\n

Credits: Choreography & performance : Ch\u00e2u Kim Sanh \/ Music & rap : Hazy Montagne Mystique, Chittakone Baccam (composition), JONAIR, Duy Quang Vu (paroles rap), R\u1eafn C\u1ea1p \u0110u\u00f4i Collective \/ Rehearsals : Louise Michel Jackson \/ Dramaturgy : Be Heintzman Hope \/ Production : Andrea Rideout \/ Technique & lighting : Jon Cleveland \/ Video : Guillaume Vall\u00e9e \/ Photos : Kinga Michalska.<\/span>[\/vc_column_text][vc_column_text]\n

\u2192 facebook event<\/a><\/p>\n

\u2192 https:\/\/kimsanhchau.com\/<\/a><\/p>\n

\u2192\u00a0https:\/\/equivoc.org\/<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\n

All BLEU N\u00c9ON<\/strong><\/em><\/span> performances are relaxed performances.<\/p>\n

There is a more relaxed attitude to noise and movement within the theatre during the performance. The reception, soundscape and visual atmosphere are adapted to create a calm and inclusive environment. Additional support tools are also made available to the audience, such as a detailed show guide, visual stories, familiarization visits, etc. Relaxed performances (RP)<\/a> are open to all, and may specifically address the needs of people who identify with a sensory or intellectual disability, a neurological or learning disability, people who experience anxiety, people with newborns or anyone who is uncomfortable with the conventions of a traditional theatre environment.<\/p>\n

For more information, visite MAI\u2019s website page Relaxed performances<\/a>.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_column_text]\n

Performance guide – BLEU N\u00c9ON<\/a><\/h3>\n

The performance\u00a0guide\u00a0explains what the show is about, what the themes are, the sensitive subjects as well as the sound and visual effects. It also includes the members of the artistic team, a glossary and details the course of the evening\/afternoon.<\/p>\n

Visual Story – MAI<\/a><\/h3>\n

The document is designed to help make the experience at MAI\u00a0accessible and understandable to all people.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_column_text]\n

With the support of MAI’s residency program.<\/span><\/p>\n[\/vc_column_text][vc_column_text]\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” content_placement=”middle” css_animation=”fadeIn” css=”.vc_custom_1629307720908{background-color: #294b3b !important;}”][vc_column][vc_column_text]\n

buy a ticket<\/a><\/span><\/h1>\n

about the box office<\/a><\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row css_animation=”fadeIn”][vc_column][vc_column_text] April 28 to 30, 2022 [\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”fadeIn”][vc_column][vc_column_text] BLEU N\u00c9ON [\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”fadeIn”][vc_column][vc_single_image image=”12058″ img_size=”full” add_caption=”yes” alignment=”center” style=”vc_box_rounded” css_animation=”fadeInUp”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css_animation=”fadeIn” css=”.vc_custom_1629240370838{background-color: #bcd2cd !important;}”][vc_column […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10150","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nCh\u00e2u Kim-Sanh (Equivoc') — MAI | Montr\u00e9al, arts interculturels<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/m-a-i.qc.ca\/en\/kim-sanh-chau-equivoc\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ch\u00e2u Kim-Sanh (Equivoc') — MAI | Montr\u00e9al, arts interculturels\" \/>\n<meta property=\"og:description\" content=\"[vc_row css_animation=”fadeIn”][vc_column][vc_column_text] April 28 to 30, 2022 [\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”fadeIn”][vc_column][vc_column_text] BLEU N\u00c9ON [\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”fadeIn”][vc_column][vc_single_image image=”12058″ img_size=”full” add_caption=”yes” alignment=”center” style=”vc_box_rounded” css_animation=”fadeInUp”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css_animation=”fadeIn” css=”.vc_custom_1629240370838{background-color: #bcd2cd !important;}”][vc_column […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/m-a-i.qc.ca\/en\/kim-sanh-chau-equivoc\/\" \/>\n<meta property=\"og:site_name\" content=\"MAI | Montr\u00e9al, arts interculturels\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/facebook.com\/mtlartsinter\" \/>\n<meta property=\"article:modified_time\" content=\"2022-04-21T21:48:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/m-a-i.qc.ca\/wp-content\/uploads\/2021\/08\/Logo_Equivoc_fond_blanc.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@mtlartsinter\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/m-a-i.qc.ca\/en\/kim-sanh-chau-equivoc\/\",\"url\":\"https:\/\/m-a-i.qc.ca\/en\/kim-sanh-chau-equivoc\/\",\"name\":\"Ch\u00e2u Kim-Sanh (Equivoc') — MAI | Montr\u00e9al, arts interculturels\",\"isPartOf\":{\"@id\":\"https:\/\/www.m-a-i.qc.ca\/en\/#website\"},\"datePublished\":\"2021-08-19T14:38:42+00:00\",\"dateModified\":\"2022-04-21T21:48:26+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/m-a-i.qc.ca\/en\/kim-sanh-chau-equivoc\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/m-a-i.qc.ca\/en\/kim-sanh-chau-equivoc\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/m-a-i.qc.ca\/en\/kim-sanh-chau-equivoc\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/m-a-i.qc.ca\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"ch\u00e2u kim-sanh (equivoc')\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.m-a-i.qc.ca\/en\/#website\",\"url\":\"https:\/\/www.m-a-i.qc.ca\/en\/\",\"name\":\"MAI | Montr\u00e9al, arts interculturels\",\"description\":\"La perle des arts interculturels au c\u0153ur de Montr\u00e9al. 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