{"id":10087,"date":"2021-08-18T21:47:10","date_gmt":"2021-08-19T01:47:10","guid":{"rendered":"https:\/\/m-a-i.qc.ca\/?page_id=10087"},"modified":"2022-05-05T09:35:31","modified_gmt":"2022-05-05T13:35:31","slug":"anandam-dancetheatre","status":"publish","type":"page","link":"https:\/\/m-a-i.qc.ca\/en\/anandam-dancetheatre\/","title":{"rendered":"\u0100nanda\u1e40 dancetheatre"},"content":{"rendered":"[vc_row css_animation=”fadeIn”][vc_column][vc_column_text]\n

May 12 to 14, 2022<\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”fadeIn”][vc_column][vc_column_text]\n

Ephemeral Artefacts: Travis Knights<\/span><\/h1>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”fadeIn”][vc_column][vc_single_image image=”10386″ img_size=”full” add_caption=”yes” alignment=”center” style=”vc_box_rounded” css_animation=”fadeInUp”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css_animation=”fadeIn” css=”.vc_custom_1629240370838{background-color: #bcd2cd !important;}”][vc_column width=”1\/4″][vc_column_text]\n

TORONTO<\/h2>\n

DANSE<\/h2>\n[\/vc_column_text][vc_column_text]\n

May 12, 2022: 7:30 p.m.<\/p>\n

May 13, 2022: 7:30 p.m.<\/p>\n

May 14, 2022: 7:30 p.m.<\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]Confronting the idea that dance is inherently ephemeral, this work investigates the processes that give it tangibility: time, practice, and attention. At its heart, the piece examines the dancing body as a container of embodied knowledge, a site of transmission over time. Ephemeral Artifacts<\/strong><\/span><\/em> is a repertoire work of \u0100NANDA\u1e40<\/strong> <\/span>existing in multiple variations with diverse casts of artists. This edition features tap artist Travis Knights<\/strong><\/span> exploring the indelible connection of jazz and tap carried through divine Black bodies. Honouring lineages, bodies, and communities that have shaped the DaNcE over time through oral tradition, context, form, and relationship. A non-linear reflection on those we lost and a visceral act of re-membering them in a way that acknowledges the indelible marks they left behind. This work asks, as Knight\u2019s tap teacher Ethel Bruneau did, \u201cWhose shoulders are you standing on?\u201d<\/p>\n

\u0100NANDA\u1e40 Dancetheatre\u2019s work centres choreographic aesthetics constructed from a non-Eurocentric lens and is grounded in a rigorous approach to bodies, gaze, space and time.<\/p>\n

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For deaf and hard of hearing spectators<\/strong>, you can reserve a vibrotactile device for the performance. The use of a vibrotactile vest adds a new way of experiencing the rhythms of tap dance. Do you want to reserve a vest?<\/p>\n

\u2192 Learn more<\/a><\/h3>\n
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Schedule<\/h2>\n

Schedule for Thursday, May 12, 2022<\/h3>\n