{"id":14895,"date":"2023-08-09T15:18:51","date_gmt":"2023-08-09T19:18:51","guid":{"rendered":"https:\/\/m-a-i.qc.ca\/?post_type=event&#038;p=14895"},"modified":"2024-01-22T10:17:51","modified_gmt":"2024-01-22T15:17:51","slug":"plasticity-desires","status":"publish","type":"event","link":"https:\/\/m-a-i.qc.ca\/en\/event\/plasticity-desires\/","title":{"rendered":"plasticity\/desires"},"content":{"rendered":"<p>Designed for seven dancing bodies, <span style=\"color: #fa5c4f;\"><strong>Plasticity\/Desires<\/strong><\/span> deals with notions of individual and mutual desires. Set against an enveloping soundscape, an imposing mass of raw clay and a dark pool of water forms the landscape that these people shape and excavate, like the elements of human nature: instinct, resilience, adaptability, contemplation, creativity, imagination. The discharge of energy, sustained investment and relentlessness reveals a sensuality and abandonment in the performers. The archaeology of their desires manifests itself in an accumulation of gestures that articulate the memories, traces and sensations they carry within them. In this space, the presence of water serves as a portal to the fantasies and delusions of the individuals on stage, allowing them to slip into a space where our collective perceptions are altered.<\/p>\n<p><span style=\"font-weight: 400;\">Content warning: high volume, heavy smoke, strobe effects<\/span><\/p>\n<p>Duration: 1h20<\/p>\n<p>Co-presented with La Chapelle Sc\u00e8nes Contemporaines<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15610\" src=\"https:\/\/m-a-i.qc.ca\/wp-content\/uploads\/2023\/08\/Lachapelle-logo.png\" alt=\"\" width=\"192\" height=\"64\" \/><\/p>\n<p class=\"p1\"><span class=\"s1\">[vc_toggle title=&#8221;credits&#8221;]<\/span><\/p>\n<p><span style=\"font-weight: 400;\">An Other Animals production<\/span><\/p>\n<p>Choreography and Artistic Direction: Alexandre Morin<br \/>\nMusic and Sound Design: Jonathan Goulet<br \/>\nPerformers: Myriam Arseneault, Philippe D\u00e9pelteau, Sara Hanley, Ch\u00e9line Lacroix, Mathieu Leroux, Justin De Luna and Charlie Prince<br \/>\nLighting Design: Karine Gauthier<br \/>\nDramaturg: Mathieu Leroux<br \/>\nCostume Design: Angela Rassenti + Jonathan Saucier<br \/>\nSet Design: Jonathan Saucier + Alexandre Morin<br \/>\nClay Consultant: Pascale Girardin<br \/>\nProduction Manager: Florence Cardinal-Tang + Elodie L\u00ea (supported by Parbleux)<br \/>\nTechnical Director: Sophie Robert<br \/>\nProduction Assistance: Philippe D\u00e9pelteau and Wolfe Girardin<br \/>\nRehearsal Director: Emmanuelle Bourassa Beaudoin<br \/>\nScenic Painter: V\u00e9ronique Pagnoux<br \/>\nAssistant Painter: Vivienne Angelique<br \/>\nAdditional Assistance: Justine Bellefeuille, Camil Bellefleur<\/p>\n<p>Residency partners: Fonderie Darling, Circuit-Est, Th\u00e9\u00e2tre Gilles-Vigneault, La Danse sur les routes du Qu\u00e9bec, Maison de la culture Rosemont and Maison de la culture Maisonneuve.<\/p>\n<p>Project supported by the Canada Council for the Arts, Conseil des arts et des lettres du Qu\u00e9bec, Conseil des arts de Montr\u00e9al.<\/p>\n<p class=\"p1\"><span class=\"s1\">[\/vc_toggle]<\/span><\/p>\n[vc_toggle title=&#8221;acknowledgements&#8221;]\n<p>I express the deepest gratitude towards the dancers for their generosity, audacity, devotion and patience throughout this 4 year process. It has been an honor to see your individual imaginations, body archives and desires materialize in the work. I\u2019ve learnt so much about myself and art making through you. We\u2019ve formed a special bond that extends beyond the project. It\u2019s been a true gift.<\/p>\n<p>Thanks to the design team for contributing your craft to realize the vision. Angela, your costumes are a labor of love, constructed in such an alienated time for creation, in the heart of the pandemic. The costumes are a testament of your intuition, whimsy and sensibilities, having a lasting impact on the project despite having to leave halfway through the process. Thank you Jonthan S. for bravely stepping in and putting your twist on the looks and the scenographic environment. You did some serious heavy lifting to get us where we are now. Karine, thanks for your divine, trippy, mood-inducing lighting that has brought the piece into deeper dimensions. I cherish our spicey Cancer meets ascending Scorpio creation dynamic. Sincerest gratitude towards Pascale Girardin for your guiding presence and generous sharing of clay knowledge throughout the creation. Your eyes, hands and heart have left their imprint on every molecule of the project.<\/p>\n<p>Thanks Math for the extensive dramaturgical research done during the conception of the project, as well as those oh-so-important milestone meetings we\u2019ve had throughout the highs and lows of carrying a project over years. Your wisdom, encouragement and tough love has offered me a framework to thrive in. If only people knew the extent of your contributions to my work and my evolution as a choreographer. You truly are the secret third member of Other Animals.<\/p>\n<p>Emmanuelle, you are a gem of a human being. You arrived in the last stretch of the project with such care, warmth and insight. Through your consistent work and devotion towards the show and the team&#8217;s well-being, you created an environment for each artist to flourish. You have this precious capacity to inspire others to strive towards clarity without stifling spontaneity, wildness and individuality. Every seam of the piece is laced with your vibrant artistry. Deepest thanks to you.<\/p>\n<p>Thanks to the production team. Florence &amp; Elodie: your support in production management lifted a huge weight off my shoulders and allowed me to breathe again in a crucial moment where tides were turning. All this is thanks to Clara and Claire at Parbleux for extending their generous support. The services you offer to the community are honorable and essential! Sophie R., thanks for coming onboard and tackling all the technical challenges of the project (and boy, there were some!) in an era where it\u2019s the hunger games to find a technical director. Thanks Philippe, Wolfe, Justine and Camil for meticulously caring for the clay and logistics in the theater.<\/p>\n<p>I extend the biggest thanks to Camille Lariv\u00e9e and Olivier Bertrand for programming the show and believing in our ambitious project! This wouldn\u2019t have been possible without your support and the generous platform you\u2019ve offered us. Thanks to the teams at the MAI + La Chapelle in all departments for putting everything in place for the project to find its audience in uncertain times for art making.<br \/>\nThanks to artists who have generously contributed during research phases over the past four years: Gabriel, Morena, Sophie M. All three of you are eloquent, insightful and precious practitioners in the live arts. Your contributions in movement, stage writing and conversations have kept resonating until this very moment.<\/p>\n<p>Thanks to our residency partners: Fonderie Darling, Circuit-Est, Th\u00e9\u00e2tre Gilles-Vigneault, La Danse sur les routes du Qu\u00e9bec, Maison de la culture Rosemont and Maison de la culture Maisonneuve. Thanks to Canada Council for the Arts, Conseil des arts et des lettres du Qu\u00e9bec and Conseil des arts de Montr\u00e9al for the financial support.<\/p>\n<p>And lastly, thanks to my artistic wingman Jonathan. This rollercoaster process has really tested us and revealed our complementary strengths, allowing us to fulfill this monumental challenge of a production. We have come out on the other end transformed, satiated and ready for the next chapter. Plasticity\/Desires beautifully embodies the past 7 years of art making together with Other Animals.<\/p>\n<p>\u2014 Alexandre Morin (Other Animals), Choreographer and Artistic Director for Plasticity\/Desires<br \/>\n[\/vc_toggle]\n<p><strong>public+ events<\/strong><\/p>\n<p><a href=\"https:\/\/m-a-i.qc.ca\/en\/event\/in-the-shadow-of-forward-motion\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15689\" src=\"https:\/\/m-a-i.qc.ca\/wp-content\/uploads\/2023\/08\/forward-en.png\" alt=\"\" width=\"520\" height=\"348\" srcset=\"https:\/\/m-a-i.qc.ca\/wp-content\/uploads\/2023\/08\/forward-en.png 852w, https:\/\/m-a-i.qc.ca\/wp-content\/uploads\/2023\/08\/forward-en-768x514.png 768w, https:\/\/m-a-i.qc.ca\/wp-content\/uploads\/2023\/08\/forward-en-810x540.png 810w, https:\/\/m-a-i.qc.ca\/wp-content\/uploads\/2023\/08\/forward-en-420x280.png 420w, https:\/\/m-a-i.qc.ca\/wp-content\/uploads\/2023\/08\/forward-en-570x380.png 570w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><\/a><br \/>\n<strong>\u279e January 19th, 5:30pm<\/strong><br \/>\n<a href=\"https:\/\/m-a-i.qc.ca\/en\/event\/in-the-shadow-of-forward-motion\/\"><strong>In the Shadow of Forward Motion: An Interdisciplinary Conversation on Performance, Matter, and Movement<\/strong><\/a><br \/>\nDidier Morelli : Stephen Schofield, Kuh Del Rosario, Florencia Sosa Rey, Alexandre Morin<\/p>\n<p><a href=\"https:\/\/m-a-i.qc.ca\/en\/event\/liminal-drift-screening\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15691\" src=\"https:\/\/m-a-i.qc.ca\/wp-content\/uploads\/2023\/08\/liminal-en.png\" alt=\"\" width=\"521\" height=\"330\" srcset=\"https:\/\/m-a-i.qc.ca\/wp-content\/uploads\/2023\/08\/liminal-en.png 852w, https:\/\/m-a-i.qc.ca\/wp-content\/uploads\/2023\/08\/liminal-en-768x487.png 768w\" sizes=\"auto, (max-width: 521px) 100vw, 521px\" \/><\/a><\/p>\n<p><strong>\u279e January 20th + 27th at 5:00pm<br \/>\n<a href=\"https:\/\/m-a-i.qc.ca\/en\/event\/liminal-drift-screening\/\">Liminal Drift Projection<\/a><br \/>\n<\/strong>Other Animals<\/p>\n","protected":false},"author":4,"featured_media":15089,"template":"","meta":{"footnotes":""},"class_list":["post-14895","event","type-event","status-publish","has-post-thumbnail","hentry","season-fire","event-category-dance","event-category-music","event-category-scu"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.13 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Plasticity\/Desires &mdash; MAI | Montr\u00e9al, arts interculturels<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/m-a-i.qc.ca\/en\/event\/plasticity-desires\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Plasticity\/Desires &mdash; MAI | Montr\u00e9al, arts interculturels\" \/>\n<meta property=\"og:description\" content=\"Designed for seven dancing bodies, Plasticity\/Desires deals with notions of individual and mutual desires. 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